From Zizek's "How to read Lacan":
"The melancholic is not primarily the subject fixated on the lost
object, unable to perform the work of mourning on it; he is, rather, the
subject who possesses the object, but has lost his desire for it,
because the cause which made him desire this object has withdrawn, lost
its efficiency. Far from accentuating to the extreme the situation of
the frustrated desire, of the desire deprived of its object, melancholy
stands for the presence of the object itself deprived of our desire for
it - melancholy occurs when we finally get the desired object, but are
disappointed at it. In this precise sense, melancholy (disappointment at
all positive, empirical objects, none of which can satisfy our desire)
effectively is the beginning of philosophy....
"The status of this object-cause of desire is that of an
anamorphosis: a part of the picture which, when we look at the picture
in a direct frontal way, appears as a meaningless stain, acquires the
contours of a known object when we change our position and look at the
picture from aside. Lacan's point is here even more radical: the
object-cause of desire is something that, when viewed frontally, is
nothing at all, just a void - it acquires the contours of something only
when viewed sideways....
"This is objet a: an entity that has no substantial
consistency, which is in itself 'nothing but confusion,' and which
acquires a definite shape only when looked upon from a standpoint
distorted by the subject's desires and fears - as such, as a mere
'shadow of what it is not,' objet a is the strange object which is
nothing but the inscription of the subject itself into the field of
objects, in the guise of a stain which acquires form only when part of
this field is anamorphically distorted by the subject's desire."
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